Andrew Pepper

2010, 2011, 2012

A curated exhibition from the Jonathan Ross Collection, London, which toured to 4 major UK museums and galleries between 2010 and 2012.

A survey of current and historical holography across the fields of art, design and commerce.

Featured image from the Rugby Art Gallery and Museum during the 2012 exhibition.  
Image © Jonathan Ross

Exhibition dates:

Rugby Art Gallery and Museum, 7th August - 2nd September 2012

Oxfordshire Museum, 15th January - 6th March 2011

Banbury Museum, 23rd July - 3rd September 2011

Buckingham County Museum, Aylesbury, 15th January - 31st October 2010

More details on the Ross Collection website

2011

School of Art and Design, Bonington Building, Nottingham Trent University, Nottingham, UK.

Light Liquid - a hologram containing the three-dimensional shadow of liquid is formed to the exact shape of one of the flat- top buildings in a miniature townscape.

It rests on the roof, hardly visible from the 'street', except for a black glass 'line' around the edge of the building.

From above (the divine view held by curators and exhibition visitors), the roof is covered in a 'lake' made up of liquid shadows - volume-frozen at the moment the hologram was recorded.

The undulating image of the water 'hovers' just above the surface of the building, occupying the space between the architecture and the viewer - a 'no one' space.

As viewers move over and around the townscape, the liquid shadows undulate and shift, a kinetic 'covering' to the building activated by the point of view of an observer.

Roof spaces occupy a place of secrecy and seclusion in our city architecture. Gardens hidden from the reality of the street, spaces in which to be unobserved, locations for machinery which feed the buildings below. Things we shouldn't see.

Here a lake is elevated, without the physical restrictions of weight or volume. Something which shouldn't 'be' - a contradiction on so many levels - made possible only by the scale of the townscape and the placement of the holographic surface.

Miniment[s]

is the work of 8 artists, selected to make a series of (mini) major artworks and interventions within a minuature townscape located outside the Bonington Gallery at Nottingham Trent University.

Each week a new tiny monument, or intervention, changes the landscape of the ‘town’ by locating what are, in effect, monumental gestures within the miniature townscape.

Over the course of the exhibition the previous installation will remain and each week a new piece will add to the expanding series of ‘public-artworks’.

Artists include: Tag (Joseph Cerski and Bobby Sayer), Susie Cochrane, Rob Squirrell, Debra Swan, Gerard Williams, Andrew Pepper and Mark Lowe

The exhibition has been selected by artists: Danica Maier, Geoff Litherland, Ben Judd, Craig Fisher and Terry Shave.

Exhibition dates: 13th April - 20th May 2011

2011

Nottingham Trent University, School of Art and Design, Bonington Building, Nottingham

A group exhibition curated by Bobby Sayer.

Five artists were invited to submit a piece of work together with its transport packaging.

Each piece was shown, with its packing materials, in a vitrine located outside the Bonington Gallery.

Artists included:

Kim Bull
Craig Fisher
Rebecca Ounstead
Andrew Pepper
Oliver Tirre

Point Addition

Is one of a series of three pieces produced in the early 1980's in association with the Light Fantastic Gallery, London.

Point, Line and Plane, Addition explored the placement of lines and surfaces within a holographic volume and were sold to collections and exhibitions internationally, as an unlimited edition.

Once Light Fantastic closed no more pieces were produced and, by default, the series became limited.

Examples of the series can be found in the ZKM collection, Germany, and the Ross collection, UK. They are also held in a number of private collections.

Originally designed to be displayed like traditional graphics, framed on the wall, here, in Transit, the single plate of 25 points of light, rests on the original box it was stored in, and the one used to transport it to exhibitions. The red plastic 'runners' are protective strips normally located along the edges of the holographic plate when they are deliverd from the photographic supplier. Here they become part of the installation, arranged by the curator.

What is perhaps most interesting, apart from the relationship the work has with the other items in the vitrine, is that it is illuminated by the architectual lighting already installed in the display area. No special lighting was installed which was one of the stipulations of the piece being included in the exhibiton. The piece needed to be visible (and in this case illuminated by multiple lamps in the ceiling), using only the available light - on a par with all the other items in the exhibition. No special treatment, no excuses.

The result is a multiple referenced holographic image, displaying overlapping views of the original carefully arranged and engineered dots of light.

A piece modulated by the sensitivities of the curator, the physical proximity to other works in the exhibiton and to the existing achitectural lighting.

All photos © Bobby Sayers

Exhibition dates:1st -13th December 2011

Bonington Gallery, Nottingham Trent University, School of Art and Design, Nottingham, UK.

A group exhibition on the theme of 'Archipelago'.

Staff from Nottingham Trent University's School of Art and Design, were invited to submit proposals featuring experimental practice from a range of art and design disiplines.

Artists were asked to consider themselves and their practice as islands. An island may be the work of one practitioner, that of an established collaboration, or a group brought together by common concerns.

Tizio Water
This small rectangle of 'ground' inverts the normal impression of an archipelago - here the holographic shadow of liquid is the defining terrain, edged by the junction between the glass holographic plate and the surrounding solid architecture (the gallery floor).

Approached from a distance, the black crane-like structure of a Tizio table lamp (a recognisable and practical design classic), offers a graphic and defined 'point to view from'. It is, in a way, instructional - guiding the viewer to an observation point. Its light precisely directed down onto a holographic rectangle which appears black and flat from a distance.

One aim of the installation is to interrogate the symbiosis between the historic 'found' object (recognised, celebrated and archived in major international art and design museums) and the 'historic' holographic recording (unknown, displaced and functionless). The latter is made visible by the presence of the former.

Exhibition dates: 16th January - 12th February

Title: Coherent Points

Date: 2013

Edition: Unique

Materials: Helium-neon laser scanner, rotating object, elastic, electric motor.

Size: Structure 1 x 1 x 1 M

Notes: Produced within the Summer Lodge, a research project in the fine art studios of Nottingham Trent University, School of Art and Design, Nottingham UK.
This series of experimental projections used a meter cubed structure to intercept the coherent lines of light scanned from a heliun-neon laser scanner.
The points of light 'shift' and orbit within a 1 x 1 x 1 M volume.

Time-laps of cubic meter volume and path of coherent light points as they trace paths through the structure.

Detail of lines and points generated by the scanned laser light as it is intercepted by the rotating structure.