About (4)
Lecturing
Sunday, 09 March 2014 Published in About Written by Andy Pepper Administrator Be the first to comment!Andrew Pepper spent over 25 years as a visiting lecturer in Fine Art at Nottingham Trent University, moving to positions as a full-time senior lecturer and Head of First Year in Fine Art, including interim course leader.
He maintains a particular interest in the transition into university life with particular emphasis on the challenges encountered by new students starting their academic journey in fine art. He was an admissions tutor (international and non-standard applications) and trained as an advanced personal tutor.
He taught fine art for several years at the University of Lincoln and has contributed to professional development modules in Fine Art at the University of Nottingham, Nottingham Trent University's Hive Start To.. and Summer School courses.
He has lectured on the subject of creative holography to a wide range of undergraduate and postgraduate courses in the UK, Germany, Norway and the USA.
Contributions to courses included: Fine Art, Contemporary Arts, Photography, Sculpture, Mixed Media, Interactive Art, History of Art, Graphics, Foundation Studies, Glass, Optics, Architecture, Holography, Media Art, Media Design and Film & TV.
He has also developed a number of workshops on The Unsupported Mark, Spatial Mark-Making and ThereNess the results of which have been presented in International conferences and publications.
Lecturing
2012 - Present
Senior lecturer in Fine Art, Head of First Year Fine Art and advanced personal tutor, Nottingham School of Art and Design, Nottingham Trent University, UK
2012 - 2016
Visiting lecturer, Fine Art, University of Lincoln, Lincoln, UK.
2011
Senior lecturer in Fine Art, School of Art and Design, Nottingham Trent University, UK
Visiting lecturer, Fine Art, University of Lincoln, Lincoln, UK.
Lecturer, Summer School, The Hive, Nottingham Trent University, UK.
2010
Senior lecturer in Fine Art, School of Art and Design, Nottingham Trent University, UK
Visiting lecturer, Fine Art, University of Lincoln, Lincoln, UK.
Lecturer, Summer School, The Hive, Nottingham Trent University, UK.
2009
Associate lecturer in Fine Art, Nottingham Trent University, Nottingham, UK.
Visiting lecturer, Fine Art, University of Lincoln, Lincoln, UK.
2008
Visiting Studio lecturer, Fine Art, Nottingham Trent University, Nottingham, UK.
Light workshops, Fine Art, University of Lincoln, UK.
2007
Visitor, Fine Art, Nottingham Trent University, Nottingham, UK.
2006
Web Workshops, University of Nottingham, School of Education,
Professional Development in the Arts
Visitor, Fine Art, University of Lincoln, UK
Workshop for teachers in connection with the British Arts Show
Individual and group tutorial supervision for first and second-year students,
Fine Art, The Nottingham Trent University, UK.
2005
Individual and group tutorial supervision for First-year students,
Fine Art, The Nottingham Trent University, UK.
Drawing with Light workshop. Angel Row Gallery and University of Nottingham Continuing Education Department.
2004
Individual and group tutorial supervision for First and Second-year students,
Fine Art, The Nottingham Trent University, UK.
Workshops for Web design
Fine Art Department, The Nottingham Trent University, UK.
2003
Tutorial supervision for second-year students,
Fine Art Department, The Nottingham Trent University, UK.
Workshops for Web design and Light Sculpture
Fine Art Department, The Nottingham Trent University, UK.
2002
Tutor, MA course, Postgraduate School,
The Nottingham Trent University, UK.
Tutorial supervision for second-year students,
Fine Art Department, The Nottingham Trent University, UK.
Tutorials for second and third-year students,
Contemporary and Performing Arts, The Nottingham Trent University, UK.
2001
Tutorial supervision for second-year students,
Fine Art Department, The Nottingham Trent University, UK.
Light and Installation workshops and Individual student tutorials,
Contemporary and Performing Arts, Nottingham Trent University, UK.
1997-2001
Tutoring third-year degree students, working with light and cross-media installations, in the "Moving Image" area of The Nottingham Trent University’s Fine Art Department, Nottingham, UK.
1995
Team teaching, Background to creative holography, Academy of Media Arts
Cologne, Germany.
1994-95
Team-teaching, undergraduate course, Video, Academy of Media Arts Cologne, Germany.
1991-1995
Seminars, lectures, workshops on Light as a Sculptural Medium, Academy of Media Arts Cologne, Germany.
1990
Holography Project, Fine Art students, University of Reading.
1990
Visiting lecturer, Fine Art Dept, University of Reading.
1989
BTEC Theatre Design, thesis supervision and assessment, Croydon College.
1985-1990
Perception/holography courses, BTEC Theatre Design, Croydon College.
1984
History of Art lecturer, BTEC Theatre Design, Croydon College.
1982-1986
Visiting Lecturer, Richmond Holographic Studios.
Visiting Lecturer, Royal College of Art, Holography Unit.
Examination and Advisory
2021 External examiner, PhD, School of Art, Design and Architecture, University of Plymouth, UK.
2020 Internal independent Assessor, PhD, School of Art and Design, Nottingham Trent University, UK.
2019 External examiner, PhD, Institute of Creative Technologies, De Montford University, Leicester, UK.
2017 Internal examiner, PhD, School of Art and Design, Nottingham Trent University, UK.
2016 Internal examiner, PhD, School of Art and Design, Nottingham Trent University, UK.
2015 Internal annual monitoring. PhD, School of Art and Design, Nottingham Trent University, UK.
2011 External examiner, PhD, School of Architecture and Design, RMIT University, Melbourne, Australia.
2008 External examiner MFA, College of Fine Arts, University of New South Wales, Australia.
1994 External examiner x 2, PhD, Dept of Photography, Royal College of Art, London, UK
1993-1995
Internal examiner, project supervisor, Academy of Media Arts Cologne, Germany.
Diploma in Audio-Visual Media (Departments of Media Art, Media Design, Film and TV).
1985 External examiner, MA, Royal College of Art, London, UK.
Educational Projects
1990
Light/sculpture workshop for children, Watermans Arts Centre, Brentford, London, UK.
1985
Light workshop for children, Tom Allen Centre, Newham, London, UK.
1985
Milton Keynes Art Gallery, Darlington Arts Centre, UK.
Nottingham Castle Art Gallery, Nottingham, UK.
1983-
Developed programme to use holography as a resource in primary schools.
Light Fantastic Gallery, London, in association with Inner London Educational Authority.
Help
Sunday, 02 March 2014 Published in About Written by Andy Pepper Administrator Be the first to comment!Hello and welcome to the new website which has recently been redesigned. There have been a lot of changes so, if you would like more information about where to find information or use some of the new features, take a look below.
Privacy Policy -Cookies
Saturday, 22 February 2014 Published in About Written by Andy Pepper Administrator Be the first to comment!Use of cookies
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Biography
Thursday, 20 February 2014 Published in About Written by Andy Pepper Administrator Be the first to comment!
Andrew Pepper studied Fine Art in the UK, where he began working with projected light and 3-D light installations. During this period he saw his first hologram in Paris, at an exhibition organised by Jody Burns and Posy Jackson, at the American Cultural Centre, in the City. With an eye on applying for postgraduate study, and needing a portfolio which accurately represented his current work, he felt that this visual technique would be the ideal process to document his light and projection installations in 3-D.
Accessing holography proved to be more challenging than he expected and he reverted to video and photography as a documentary process for his postgraduate applications. After securing a place on the MFA course at the University of Reading, where he continued to research spatial mark-making and projected light installations, he moved to New York and spent 2 years at the Museum of Holography, in Manhattan, as a Fulbright Scholar. It was there that he learned how to make holograms at New York Holographic Labs. It was some time before he felt comfortable using the medium - wanting to find an alternative to the basic (but impressive) 3-D effect which had originally attracted him to the medium.
When he returned to the UK in 1982 he began lecturing and writing on creative holography and starting to produce his own work, which has now been exhibited in solo and group shows worldwide. He also completed a Ph.D. in Fine Art Holography, the first to be awarded by the Fine Art Department of the University of Reading and an early example of a practice-based Ph.D. Based on this early research and current practice he has acted as external supervisor for a number of key Ph.D'.s exploring the creative and critical use of holography within the visual arts.
In 1988 Pepper was awarded a Lionel Robbins Memorial Scholarship which allowed him to continue his Ph.D. research and carry out extensive exploration in a specially built holography studio at the University of Reading.
In 1991 he moved to Cologne to take up a 5 year post with the newly established Academy of Media Arts which, as part of its studio activities, was offering Holography within its media arts department.
During this time in Germany, he was able to realise a project he had been working on for several years earlier and founded the Creative Holography Index, The International Catalogue for Holography, which provided a very high-quality collection of material about artists working in the medium, as well as commissioning several leading writers to give their views on the development of the field.
While at the Academy he was introduced to the Internet and World Wide Web and eventually began to ‘translate’ the paper publication into a digital one, making it accessible to a much wider audience. He has remained interested in this idea of digital publishing and delivered several papers on the subject at international conferences.
In 1996 he moved back to the UK to organise and co-chair Art in Holography2, a major international symposium, at the University of Nottingham, which attracted speakers and delegates from all over the world to examine, and place pressure on, the creative and critical engagement by artists using holographic processes.
From 1999 - 2004 he directed the Shearwater Foundation Holography program, established by Posy Jackson in 1987. Each year it provided 100,000 US Dollars to support and encourage creative holography, as well as honouring several artists with the annual Holography Award, given to outstanding practitioners in recognition of their major contribution to the field.
During 2007- 2009 he directed the International Holography Fund, established to fill the gap left by the Shearwater Foundation which, during its short operational life, supported a wide range of creative holography projects worldwide.
Pepper spent over two decades as a visiting lecturer in Fine Art at Nottingham Trent University, moving to positions as full-time senior lecturer and Head of First Year in Fine Art. He maintains a particular interest in the transition into university life with particular emphasis on the challenges encountered by new students starting their academic journey in fine art. He was an admissions tutor (international and none standard applications) and trained as an advanced personal tutor. He taught fine art for several years at the University of Lincoln and has contributed to professional development modules in Fine Art at the University of Nottingham, Nottingham Trent University's Hive Start To.. and Summer School courses.
View Andrew Pepper's NETWORKS
