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Andrew Pepper

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Andy Pepper Administrator

Andy Pepper Administrator

Hi my name is Cong Keenan and I have been the Creative Director on Medunten Technology. The languages only differ in their grammar, their pronunciation and their most common words

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A new piece of work, made in collaboration with the Light Foundry, is on show as part of the Currents New Media Festival in Santa Fe, New Mexico, USA.

Aura Kinetica, curated by August Muth, brings together work from a diverse, international, collection of artists who work with holography as a creative practice.  The exhibition, part of a city-wide festival, is on show at El Museo Cultural de Santa Fe from 9th - 25th June 2017.

More details here.

ICA London

Friday, 09 June 2017 Published in News Be the first to comment!

In a recent rummage through the archives - boxes of catalogues and notebooks from past years - I unearthed the catalogue from the 1980 New Contemporaries exhibition held at the ICA, London.

It was the first time Random Cube (later to become Random Cube Rotation) had been shown in a public exhibition and became part of my MFA graduation exhibition at the University of Reading.

More details here.

1980

Institute of Contemporary Arts, London.

New Contemporaries

Andrew Pepper showed the developmental light projection he was undertaking as part of his MFA at the University of Reading, UK.

Work included:

Random Cube.  35mm projected slide onto rotating cubic structure. More details and video here.

 

Catalogue interior.

 

 

 


Exhibition dates: 21st March - 5th April 1980.

I am pleased to be presenting a paper at:

LUMIA 1 Symposium 2017, Royal College of Art, London.

On Wednesday 15th March 2017

This is the first event of its type to bring together artist, makers, researchers, engineers and collectors linked through an engagement with light and LUMIA, a process of animated light ‘painting’ developed by American/Danish artist Thomas Wilfred.

It coincides with a major touring exhibition of Wilfred’s work at Yale University Art Gallery and the Smithsonian American Art Museum, USA.


Thomas Wilfred, Elliptical Prelude and Chalice, 1928. Maple table, metal, fabric, glass, and electrical and lighting elements. Yale University Art Gallery, Gift of Thomas C. Wilfred.

As part of the Spaces of Uncertainty Summer Academy in Stuttgart, during September 2016, a number of projected interventions were temporarily installed at the Württembergischer Kunstverein.

Using the disregarded corner of the huge Kunstverein gallery space, these projected light installations 'brushed' the surface of the walls, were present for short periods and then disappeared (when the projection devises were switched of) leaving only the memory of the event.

Walking past the corner - on the way to more significant parts of the gallery, the 'drawn' luminous lines shift, perceptually and clash slightly with our understanding of the edges of the room and how we expect them to appear when we move past them.  There is a perspective 'animation' here activate entirely by the viewers visual expectation and their transition past the work.

The Summer Academy (part of the European Erasmus programme) brought together students and staff from 7 partner institutions :

The Hungarian University of Fine Arts (MKE)
Stuttgart State Academy of Art and Design
Jan Matejko Academy of Fine Arts in Krakow
Academy of Fine Arts and Design, Bratislava
Kingston University
University of Dundee
Duncan of Jordanstone College of Art & Design &
Nottingham Trent University.

Teaching staff lead workshops with students from these European institutions and also developed aspects of their own research through conversation, consultation, collaboration and individual making and testing.


5th - 15th September 2016

About

Andrew Pepper works with projected light, holography and installation.  Based in the UK,  he has exhibited his work in group and solo exhibitions internationally and, as a senior lecturer in fine art at Nottingham Trent University, he taught on the BA (Hons) fine art course, the Master of Fine Art course and has acted as a PhD examiner for a wide range of key project-based research submissions.

 

This site is part archive, collecting text and images of work dating back to 1977, part centralised list for exhibitions and publications and part organisational tool to bring scattered information into one accessible location.  More >>

 

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