Andy Pepper Administrator
Hi my name is Cong Keenan and I have been the Creative Director on Medunten Technology. The languages only differ in their grammar, their pronunciation and their most common words
Website URL: http://themesoul.com
Title: Wall Drawing
Date: 1998
Edition: Unique
Materials: 6 reflection holograms on glass embedded into gallery wall.
Size: Gallery wall.
Notes: Site specific work installed at the Lanchester Gallery, University of Coventry, UK as part of a solo exhibition during 1998.
Title: Liquid Circle
Date: 1990
Edition: Holographic Monoprint
Materials: Reflection hologram on glass
Size: 2 x H 25.4 x W 20.32cm (10 x 8 inches)
Title: Centre Column
Date: 1989
Edition: 2 - (holographic monoprints)
Materials: Reflection hologram on glass
Size: H 25.4 x W 20.32cm (10 x 8 inches)
Collection: The Würth Collection, Germany.
Title: Random Cube Rotation
Date: 1980
Edition: Edition of 10
Materials: 35mm photographic slide, slide projectors, projected light, rotating object, elastic, electric motor.
Size: Structure 1 x 1 x 1 M
Notes: Light from a 'drawing' of a cube is projected onto the slowly rotating sculpture in a dark space. Only the effect of this light being 'intercepted' can be seen. Not the sculpture itself.
The result is a constantly moving 'volume' of tiny dots of light which describe the volume of a cube.
Shown at the Institute of Contemporary Arts, London, and a New Contemporaries prize winner.
This work eventually lead onto experiments with holography and the Line Addition piece.
Title: Curved String
Date: 1978
Edition: Installation
Materials: 35mm photographic slides, slide projectors, projected light, rotating string, electric motor.
Size: Structure 100 x 50 x 400 CM
Notes: Light from a 'drawing' of a cube is projected through two rapidly rotating strings which form a curved (three-dimensional) screen
The projected image slowly moves from left to right causing the reconstructed image, in space, to shift and 'redraw' itself.
A paper describing this work and its development is published in the Leonardo, Journal of Contemporary Visual Artists.
