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Andrew Pepper

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Andy Pepper Administrator

Andy Pepper Administrator

Hi my name is Cong Keenan and I have been the Creative Director on Medunten Technology. The languages only differ in their grammar, their pronunciation and their most common words

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This is the third iteration of the Documents Alternatives exhibition which has previously been shown at Airspace Gallery, Stoke on Trent (#1) and Verge Gallery, Sydney (#2).

The exhibition is hosted by the Art Research Centre, Bath School of Art and Design, BSAD Gallery, and is connected to the accompanying symposium, which focuses on artistic process and practice.

Symposium Friday 20th April 2018

Exhibition 20th April - 1st May 2018.

In each exhibition participating artists are invited to adapt and develop their work - reconfiguring the document they presented previously.

Here,  Three-Nine 35mm Drawn has an additional slide included as well as hand-drawn graphite lines.

Artist in the exhibition include:

Steve Dutton, Emma Cocker & Clare Thornton, Andrew Bracey, Morrad+McArthur, Rochelle Haley, Brazier Free, Tim Etchells, Luce Choules, Angela Bartram, Louise K Wilson, Kate Corder and Andrew Pepper.

The exhibition and symposium are part of the Alternative Document, a project by Dr. Angela Bartram, Associate Professor and Head of Arts Research, at University of Derby.

 


20th April - 1st May 2018.

Curated by Andrew Pepper the Unsupported Mark attempts to explore how artists have examined and exploited the luminous, unsupported, mark, both physically and conceptually. It draws work from the extensive Jonathan Ross Holography Collection, which has been acquiring a breadth of approaches to the medium from artists for 40 years.

Twenty artists have been selected with work ranging form 1979 to the present.

The exhibiton also includes a new work by Pepper (below), produced at The Light Foundry, Santa Fe, New Mexico in association with Artist August Muth.

Centre Column-Blue, 2017.

Dichromate gelatine on glass: H 63.5 x W 48 x D 2.5 cm.

Exhibiting artists included:

Margaret Benyon, Rudie Berkhout, Caroline Palmer, Doris Vila, Andrew Pepper, Susan Cowles, Adrian Lines, Pearl John, Sam Moree, Jon Mitton, Michael Waller-Bridge, Martin Wall, Edwina Orr, Dieter Jung, Pepe Buitrago, John Kaufman, Jo Fairfax, Paul Scattergood, Paula Dawson and Dan Schweitzer.

 


 13th - 30th March 2018

 

 

Documents, Alternatives #2
Verge Gallery, University of Sydney, NSW, Australia.

A (re-)staging of ephemeral artworks that is in ‘motion’ and responsive to intent. The exhibition foregrounds fluidity and diversity of translation and includes multiple art voices and modes of output including video, holography, text, painting, print and sound. This is an experimental, discursive strategy whereby the document becomes a new artwork and the artwork becomes a new document to keep the ephemeral evolving and in transition.

Installation view of Three-Nine 35mm alonside Tim Etchells, Red Sky at Night

(Image credit: Document Photography and Verge)

Three 35mm slides mounted on electroluminescent panel with 3 digital colour photographs of installed hologram.

(Image credit: Angela Bartram)

(Image credit: Angela Bartram)

Alternative Documents #2 features works by:Angela Bartram, Andrew Bracey, David Brazier and Kelda Free, Luce Choules, Emma Cocker and Clare Thornton, Kate Corder, Steve Dutton, Tim Etchells, Rochelle Haley, Morrad + McArthur, Andrew Pepper, and Louise K. Wilson
Curated by Angela Bartram

Visit the gallery website here.


28 January - 24 February 2018

 

 

 

 

A 35mm slide projector and hologram installation is included in Documents Alternatives (#1) at Airspace Gallery Stoke-on-Trent.

This experimental group exhibition, curated by Dr. Angela Bartram, explores temporality, fixed-ness, transience, changeability and is a development of the previous Alternative Documents exhibiton held at Project Space Plus in Lincoln, UK.

 

A new iteration of 'Three - Nine'  is being shown in Documents Alternatives (#1) at Airspace Gallery Stoke-on-Trent.

An experimental group exhibition, curated by Dr. Angela Bartram, exploring temporality, fixed-ness, transience and changeability.

Using a single projection and responding to the linier structure of the room, this version of the installation focuses on a "one-to-one" format with the image in the slide projector directly illuminating the image in the wall-based hologram.

The vertical 'striping' of the large window shutter, located at the entrance of the gallery becomes the point of orientation for the projected image and its (now) vertical line.

Holograms are often described as "windows with memories" and here, the location of the holographic element of the installation next to the gallery window offers two views into two 'spaces': the town beyond the gallery window, and the synthetic structures held within the hologram.

 

Alternative Documents #1 features works by: Angela Bartram, Andrew Bracey, Brazier and Free, Luce Choules, Emma Cocker and Clare Thornton, Kate Corder, Steve Dutton, Tim Etchells, Rochelle Haley, Morrad + McArthur, Andrew Pepper, Louise K. Wilson.

Visit the gallery website here.


17th November - 16th December 2017

 

 

 

 

About

Andrew Pepper works with projected light, holography and installation.  Based in the UK,  he has exhibited his work in group and solo exhibitions internationally and, as a senior lecturer in fine art at Nottingham Trent University, he taught on the BA (Hons) fine art course, the Master of Fine Art course and has acted as a PhD examiner for a wide range of key project-based research submissions.

 

This site is part archive, collecting text and images of work dating back to 1977, part centralised list for exhibitions and publications and part organisational tool to bring scattered information into one accessible location.  More >>

 

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