E: This email address is being protected from spambots. You need JavaScript enabled to view it.

Andrew Pepper

You are here: Home \ Exhibitions \ Displaying items by tag: Exhibitions

Work included in NAE Open 2022

Wednesday, 04 May 2022 09:45 Published in News

Andrew Pepper has been included in the New Art Exchange 2022 Open exhibition.

The juried selection, from over 300 submitted works, reflects the diversity of practices and approaches from Nottinghamshire based artists and Global Majority artists living in the UK.

Andy will be showing, for the first time in the UK, Light Wedge, an installation incorporating holographic drawings.

More details about the work here.

More details about the New Art Exchange Open installation here.

The exhibition opens on 10th June 2022 and continues until 3rd September
Gallery open Tuesday – Saturday 10am - 4pm

www.nae.org.uk/exhibition/nae-open-2022/191

 

Artists selected for the NEA Open 2022 are:

  • Mohamad Aaqib Anvarmia

  • Jessica Ashman

  • Tristram Aver

  • Sayra Begum

  • Adonia Bouchehri

  • Roisin Bourke

  • Jarvis Brookfield

  • Shaista Chishty

  • Clare Chun-yu Liu

  • Rosie Deegan

  • Neequaye Dreph Dsane

  • Grace Eden

  • Tim Fowler

  • Enam Gbewonyo

  • Gisou Golshani

  • Suman Gujral

  • Hannaa Hamdache

  • Arthur Hsu

  • Henrique J. Paris

  • Seungjo Jeong

  • Sabine Kaner

  • Sumuyya Khader

  • Day Eve Komet

  • Sahjan Kooner

  • Olana Light

  • Rudy Loewe

  • Jas Lucas

  • Jeneé Marie

  • Fungai Marima

  • Delores Oblitey

  • Andrew Pepper

  • Daniel Rapley

  • Benjamin Rostance

  • Shannon Scherer

  • Janhavi Sharma

  • Chiemi Shimada

  • Saintly Amok

  • Jamal Sterrett

  • Hope Strickland

  • Arushee Suri

  • Kim Thompson

  • Vernon Tong

  • Zheni Warner

  • Honey Williams

  • Kenizzi Yamalimbu

Light Wedge

Tuesday, 28 August 2018 18:26 Published in Holography

Light Wedge 2018

Is a floor mounted installation made up of dichromate gelatine holograms supported by a wooden wedge.

Produced in collaboration with August Muth, the Light Foundry, Santa Fe, New Mexico, USA.

Originally shown in Art in Holography: Light, Space & Time at the Aveiro City Museum, Portugal.

 

 

 

Plate 1, 49 x 34 x 1 cm, Plate 2, 34.5 x 31, 1 cm

Detail

Floor installation

This curated exhibition coincided with the 11th International Symposium on Display Holography, held at the University of Aviero and Light Wedge was shown in two versions.

The initial floor installation incorporated two plates (Plate 1, 49 x 34 x 1 cm, Plate 2, 34.5 x 31, 1 cm) and physical wooden wedge which was displayed for the duration of the symposium.  For the remainder of the exhibition (until September 30th) a single plate (49 x 34 x 1 cm) lifted slightly from the gallery floor by the wooden wedge, was shown.

 Single version on show until 30th September.

Detail

Light Wedge has also been installed at the New Art Exchange Open 2022 exhibition.

June - September 2022


Art in Holography: Light, Space & Time

Tuesday, 28 August 2018 13:20 Published in Group Exhibitions

Aveiro City Museum, Portugal.

A curated exhibition including over 25 internaternational artists working with holography and light.

The show coincided with the 11th International Symposium on Display Holography held at the University of Avairo.

Gallery View on one of the two floors of exhibition space.

A new work by Andrew Pepper was presented as part of the exhibition which included the floor installation Light Wedge 2018.

The initial installation was made up of two glass holographic plates, one supported by a wooden wedge and the other by the first holographic plate.

This version was on show for the duration of the symposium and was then reinstalled to include a single plate with holographic drawing and wedge.

 

Light Wedge 2018

Two Floor mounted dichromate gelatine holograms, wooden wedge.

Produced in collaboration with August Muth, the Light Foundry, Santa Fe, New Mexico, USA.

More details of the two versions of this work shown in Aveiro here.

More details of the two versions of this work shown in Aveiro here. 


Exhibition dates:  26th June - 30th September 2018

Work on show at Whitstable Biennale

Thursday, 10 May 2018 11:41 Published in News

A new work has been included in Analogue Ensemble : Extending the Frame, Whitstable Biennale. 

Curated by Cathy Rogers it featrures; Amy Dickson, Simon Payne, Andrew Pepper and Mary Stark.

Bringing together holograms, woven film, recorded mobile phone performance and a classic avant-garde film used anew as a graphic score, the exhibition explores the relationship between screen space, physical space and the experience of viewing moving image within the conditions of the gallery.

More details here.

Analogue Ensemble: Extending the Frame

Thursday, 26 April 2018 13:21 Published in Group Exhibitions
Analogue Ensemble: Extending the Frame, Whitstable Biennale 2018. 
 
A new work, Lean Two, by Andrew Pepper, has been made specifically for the show and develops from an earlier examination of placement, framing and the peripheral view.
 
Analogue Ensemble: Extending the Frame - an installation of experimental artist film, video and 3D light works featuring; Amy Dickson, Simon Payne, Andrew Pepper and Mary Stark. Bringing together holograms, woven film, recorded mobile phone performance and a classic avant-garde film used anew as a graphic score, the exhibition explores the relationship between screen space, physical space and the experience of viewing moving image within the conditions of the gallery.

Studio 3 Gallery, University of Kent, School of Arts, Canterbury, UK.

More details at www.whitstablebiennale.com/project/extending-the-frame


Exhibition dates:  Preview in connection with the Whitstable Biennale - 26th April 2018

Open to the public 10th May - 8th June 2018

Page 1 of 2

About

Andrew Pepper works with projected light, holography and installation.  Based in the UK,  he has exhibited his work in group and solo exhibitions internationally and, as a senior lecturer in fine art at Nottingham Trent University, he taught on the BA (Hons) fine art course, the Master of Fine Art course and has acted as a PhD examiner for a wide range of key project-based research submissions.

 

This site is part archive, collecting text and images of work dating back to 1977, part centralised list for exhibitions and publications and part organisational tool to bring scattered information into one accessible location.  More >>

 

Find

Much of the content on the site has been collected into categories for easy access.  Key groups are listed to the left under QUICK LINKS but you can also search the entire site using work titles, event names or key phrases.