Light Wedge 2018
Is a floor mounted installation made up of dichromate gelatine holograms supported by a wooden wedge.
Produced in collaboration with August Muth, the Light Foundry, Santa Fe, New Mexico, USA.
Originally shown in Art in Holography: Light, Space & Time at the Aveiro City Museum, Portugal.
Plate 1, 49 x 34 x 1 cm, Plate 2, 34.5 x 31, 1 cm
Detail
Floor installation
This curated exhibition coincided with the 11th International Symposium on Display Holography, held at the University of Aviero and Light Wedge was shown in two versions.
The initial floor installation incorporated two plates (Plate 1, 49 x 34 x 1 cm, Plate 2, 34.5 x 31, 1 cm) and physical wooden wedge which was displayed for the duration of the symposium. For the remainder of the exhibition (until September 30th) a single plate (49 x 34 x 1 cm) lifted slightly from the gallery floor by the wooden wedge, was shown.
Single version on show until 30th September.
Detail.
Aveiro City Museum, Portugal.
A curated exhibition including over 25 internaternational artists working with holography and light.
The show coincided with the 11th International Symposium on Display Holography held at the University of Avairo.
Gallery View on one of the two floors of exhibition space.
A new work by Andrew Pepper was presented as part of the exhibition which included the floor installation Light Wedge 2018.
The initial installation was made up of two glass holographic plates, one supported by a wooden wedge and the other by the first holographic plate.
This version was on show for the duration of the symposium and was then reinstalled to include a single plate with holographic drawing and wedge.
Light Wedge 2018
Two Floor mounted dichromate gelatine holograms, wooden wedge.
Produced in collaboration with August Muth, the Light Foundry, Santa Fe, New Mexico, USA.
More details of the two versions of this work shown in Aveiro here.
More details of the two versions of this work shown in Aveiro here.
Exhibition dates: 26th June - 30th September 2018
A new work has been included in Analogue Ensemble : Extending the Frame, Whitstable Biennale.
Curated by Cathy Rogers it featrures; Amy Dickson, Simon Payne, Andrew Pepper and Mary Stark.
Bringing together holograms, woven film, recorded mobile phone performance and a classic avant-garde film used anew as a graphic score, the exhibition explores the relationship between screen space, physical space and the experience of viewing moving image within the conditions of the gallery.
Studio 3 Gallery, University of Kent, School of Arts, Canterbury, UK.
More details at www.whitstablebiennale.com/project/extending-the-frame
Exhibition dates: Preview in connection with the Whitstable Biennale - 26th April 2018
Open to the public 10th May - 8th June 2018
Three-Nine-Four, a new itteration of work from the previous Documents Alternatives exhibition is on show at BSAD Gallery, Bath School of Art and Design, Bath, UK.
This experimental group exhibition, curated by Dr. Angela Bartram, explores temporality, fixed-ness, transience, changeability and is a development of the previous Alternative Documents exhibiton held at Project Space Plus in Lincoln, UK.
More details of the Bath Exhibition here.