REFERENCES AND NOTES

I would like to thank the owners of images used in this paper for permission to reproduce them and to all those who have provided details about their work. Many thanks to Jonathan Ross for providing me with valuable research material and suggestions of where to look for diffraction and glass tile information.

[1] www.apepper.com, e-mail

[2] Dennis Gabor, A New Microscopic Principle, Nature, 161, pp 777-8. 1948.

[3] Holography at the Crossroads. An interview with the Father of Holography, Optical Spectra, Vol 4, part 9, pp 32-33, 1970.

[4] Light Fantastic, exhibition catalogue, Furst, Phillips, Wolf, Bergstrom + Boyle Books Ltd, London. 1977.

[5] A. Pepper, Beyond the Gallery Ghetto. The Creative Holography Index, The International Catalogue for Holography, Monand Press, Bergisch Gladbach, Germany, Vol 2, issue 2.

[6] See Sam Moree’s paper in the online version of this conference’s proceedings.

[7] A. Pepper, Windows with memories: Creative holography in the real world. This Side Up, No.10, June 2000, pp15-18. ISSN 1389 1707. Online version available at www.apepper.com

[8] See Jo Fairfax’s paper in the online version of this conference’s proceedings.

[9] Full details of this hologram and other work by Richardson can be found at www.holograms.uk.com

[10] www.holonorth.com

[11] E-mail to the author, from John Perry, March 2002

[12] MIT, spatial Imaging Group: http://spi.www.media.mit.edu/groups/spi/

[13] Several of these pieces have been shown in Germany. Details can be found on Vila’s web site www.vilamedia.com

[14] Harriet Casdin-Silver is represented by the NAGA Gallery: www.gallerynaga.com/current.htm

[15] Shown in Europe at the exhibition and conference ‘Holography 2000’, Austria.

[16] www.sallyweber.com Although this site currently features "Matrix", a non-holographic installation by Weber, other areas of her work will be included shortly.

[17] See (5).

[18] www.btagroup.com

[19] M. Crenshaw, Design Applications in Embossed Materials, Practical Holography X, SPIE proceedings, Vol. 2652, pp. 244-247, 1996.

[20] www.jbermanglass.com

[21] www.vitglass.com

[22] Stated on their web site, (see 21)

[23] Holography News, The International Business Newsletter of the Holography Industry, www.reconnaisance-int.com

[24] www.steelandlight.com

[25] Pearl John launched a web site, containing details of her art work and educational activities to coincide with this conference: www.pearljohn.co.uk

[26] Pearl.V.John, Advanced Holography in High School, conference paper reproduced on her web site,(see 25).

[27] www.rudieberkhout.com

[28] www.Visuell-Holo.de

[29] A. Pepper, The National Holographic Centre England: Proposal report. 6th International Symposium on Display Holography, Lake Forest College, Lake Forest, USA,SPIE proceedings Volume 358. Online version available at www.apepper.com

[30] Vito Orazem, Holography as an element of the media architecture, Fifth International Symposium on display Holography, Lake Forest college, SPIE proceedings Vol 2333, pp 168-177, 1994.

[31] www.shuminlin.com

[32] www.holonet.khm.de/Holographers/Jung_Dieter/text/MobileE.pdf

[33] www.ilb.fh-koeln.de

[34] www.dupont.com/safetyglass/lgn/stories/1007.html

[35] www.holonet.khm.de/eyefire

[36] A. Pepper, Building with Light: Holography, Glass and Architecture. This Side Up, No.15, September 2001, pp 2-4 ISSN 1389 1707. Online version available at www.apepper.com