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Andrew Pepper

Die Dritte Dimension im Bild

Friday, 07 June 2024 17:11 Published in Group Exhibitions

Die Dritte Dimension im Bild
Imaging the Third Dimension - Holograms and Optical Illusions in the Würth Collection
Kunsthalle Würth, Schwäbisch Hall, Germany
3 June 2024 - Autumn 2025

Pieces from an international selection of 20th-century artists, working with optical illusion and holography, have been selected for exhibition at Kunsthalle Würth.

Three works by Andrew Pepper have been included:
Drawn Corner 1989
Light Texture 1989
Centre Column 1989

 

 

Exhibiting Artists:

Karl-Heinz Adler, Yaacov Agam, Josef Albers, Cristina Barroso, Stephen A. Benton, Rudi Berkhout, Max Bill, Omar Carreño, Melissa Crenshaw & Sydney Dinsmore, Carlos Cruz-Diez, Ugo Dossi, Lucio Fontana, Günter Fruhtrunk, Sabine Funke, Karl Gerstner, Raimund Girke, Gun Gordillo, Gotthard Graubner, Hans Hartung, Albert Hien, Patrick Hughes, Robert Jacobsen, Isolde Maria Joham, Vera Leutloff, Heinz Mack, Mike Mielke, François Morellet, Richard Mortensen, Edwina Orr, Andrew Pepper, Darío Pérez-Flores, Otto Piene, Attilio Pierelli, Fabrizio Plessi, Jesús Rafael Soto, Carl Fredrik Reuterswärd, Betty Rieckmann, Rick Silberman, Turi Simeti, Günther Uecker, Victor Vasarely, Andy Warhol, Ludwig Wildin.

 

 




 

Die Dritte Dimension im Bild, Imaging the Third Dimension - Holograms and Optical Illusions in the Würth Collection
Kunsthalle Würth, Schwäbisch Hall, Germany. 3 June 2024 - Autumn 2025

Centre Column

Sunday, 01 January 1989 00:00 Published in Holography

Title: Centre Column

Date: 1989

Edition: 2 - (holographic monoprints)

Materials: Reflection hologram on glass

Size: H 25.4 x W 20.32cm (10 x 8 inches)

Collection: The Würth Collection, Germany.

About

Andrew Pepper works with projected light, holography and installation.  Based in the UK,  he has exhibited his work in group and solo exhibitions internationally and, as a senior lecturer in fine art at Nottingham Trent University, he taught on the BA (Hons) fine art course, the Master of Fine Art course and has acted as a PhD examiner for a wide range of key project-based research submissions.

 

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