Andrew Pepper

Bonington Gallery, Nottingham Trent University, School of Art and Design, Nottingham, UK.

A group exhibition on the theme of 'Archipelago'.

Staff from Nottingham Trent University's School of Art and Design, were invited to submit proposals featuring experimental practice from a range of art and design disiplines.

Artists were asked to consider themselves and their practice as islands. An island may be the work of one practitioner, that of an established collaboration, or a group brought together by common concerns.

Tizio Water
This small rectangle of 'ground' inverts the normal impression of an archipelago - here the holographic shadow of liquid is the defining terrain, edged by the junction between the glass holographic plate and the surrounding solid architecture (the gallery floor).

Approached from a distance, the black crane-like structure of a Tizio table lamp (a recognisable and practical design classic), offers a graphic and defined 'point to view from'. It is, in a way, instructional - guiding the viewer to an observation point. Its light precisely directed down onto a holographic rectangle which appears black and flat from a distance.

One aim of the installation is to interrogate the symbiosis between the historic 'found' object (recognised, celebrated and archived in major international art and design museums) and the 'historic' holographic recording (unknown, displaced and functionless). The latter is made visible by the presence of the former.

Exhibition dates: 16th January - 12th February

Title: Coherent Points

Date: 2013

Edition: Unique

Materials: Helium-neon laser scanner, rotating object, elastic, electric motor.

Size: Structure 1 x 1 x 1 M

Notes: Produced within the Summer Lodge, a research project in the fine art studios of Nottingham Trent University, School of Art and Design, Nottingham UK.
This series of experimental projections used a meter cubed structure to intercept the coherent lines of light scanned from a heliun-neon laser scanner.
The points of light 'shift' and orbit within a 1 x 1 x 1 M volume.

Time-laps of cubic meter volume and path of coherent light points as they trace paths through the structure.

Detail of lines and points generated by the scanned laser light as it is intercepted by the rotating structure.

Use of cookies

Current EU regulations require websites to inform you about their use of cookies so that you can decide if you would like to accept or reject them. You can change your browser settings and not accept cookies or other monitoring technology.
Please see "Disabling/Enabling Cookies" below.

About Cookies

A cookie is a small file which asks permission to be placed on your computer’s hard drive. Most sites use them. Once you agree, the file is added and the cookie helps analyse web traffic or lets you know when you visit a particular site. Cookies allow web applications to respond to you as an individual. The web application can tailor its operations to your needs, likes and dislikes by gathering and remembering information about your preferences.

We use traffic log cookies to identify which pages are being used. This helps us analyse data about webpage traffic and improve our website in order to tailor it to your needs. We only use this information for statistical analysis purposes and then the data is removed from the system.

Overall, cookies help us provide you with a better website, by enabling us to monitor which pages you find useful and which you do not. A cookie in no way gives us access to your computer or any information about you, other than the data you choose to share with us.

You can choose to accept or decline cookies. Most web browsers automatically accept cookies, but you can usually modify your browser setting to decline cookies if you prefer. This may prevent you from taking full advantage of the website.

Links to other websites

This website contains links to other sites of interest. However, once you have used these links to leave this site, you should note that we do not have any control over those other website. Therefore, we cannot be responsible for the protection and privacy of any information which you provide whilst visiting such sites and such sites are not governed by this privacy statement. You should exercise caution and look at the privacy statement applicable to the website in question.

Disabling/Enabling Cookies

You have the ability to accept or decline cookies by modifying the settings in your browser. You can also manually remove cookies from your system. For more information on disabling and enabling cookies, you should search for or lookup 'Cookies' in your browser help sytem or in your computer operating system documentation.

Further information on deleting or controlling cookies is available at www.aboutcookies.org - www.youronlinechoices.eu

Thanks to www.website-design.it for advice on cookies and privacy statements.

2023

What happened to creative holography?, Medium.com, July 31

Is your Hologram a Hoover? Medium.com, March 31

2021

Holography: How Artists Sculpt with Light, Space, and Time, Guggenheim, May 7 2021

2020

Holography A Critical Debate within Contemporary Visual Culture, Andrew Pepper (Ed.)Special Arts Issue, (Vol 8, Issue 3) MDPI, Switzerland, July 2020.

https://doi.org/10.3390/books978-3-03936-227-1

2018

I am here – you are there: let's meet sometime. Alternative Documents special issue, Studies in Theatre and Performance. Taylor & Francis. 38 (Issue 3), pp. 251-266, ISSN 1468-2761

There-Ness, the unsupported mark and its peripheral view. In: 11th International Symposium on Display Holography - ISDH 2018, Aveiro, Portugal, 25-29 June 2018.

Light wedge. In: H.I. BJELKHAGEN and P.M.M. POMBO, eds., Art in holography, light, space & time: catálogo da exposição. Aveiro: University of Aveiro, pp. 20-21. ISBN 9789727895519

Colour holography: perception versus technical reality. In: R. GUENTHER and D. STEEL, eds., Encyclopedia of modern optics. 2nd ed. Oxford: Elsevier, pp. 102-105. ISBN 9780128149829

2017

Five surprising ways holograms are revolutionising the world, www.theconversation.com

2014

SKYLINES, digital publication available on the iBook store, brings together a selection of photographs, specially produced digital drawings and slowly shifting animation.

2013

Memorial, Ruben Nuñez, Holographer.org, January 2012

Memorial, Rudie Berkhout, Holographer.org, February 2009

*periphery, Contributor, YH485 Press, UK, September 2009, pp 16.

2008

The Perception of Reality - Looking at Looking. Holography in the Modern Museum. RPS conference, De Montfort University, Leicester, UK, September 2008

2006

Supporting Creative Holography, The Shearwater Foundation 1987 – 2004, Proceedings, 7th International Symposium on Display Holography, Wales, UK, July 2006.

2005

Art Holography, Encyclopedia of Modern Optics, Elsevier Academic Press, Oxford, UK

2004

Something in the air: Stephen Benton and a ‘family’ reunion, Holographer.org, January 2004, site launch.

2002

Architectural Holography: Building with light, decorating with space, Royal Photographic Society Holography Group Conference on Holography, Art and Design. Royal College of Art, London, UK. 23rd March 2002.

Please note that this paper includes 22 illustrations and will therefore take some time to load into your browser.

2001

CFR, Kilroy and the Luminous Pencil, Style is Fraud - Carl Fredrik Reuterswärd, Bokförlaget Arena, Sweden, PP104-109, ISBN 91-7843-187-5,

Building with Light: Holography, glass and architecture. This Side Up, No.,15, September 2001, pp 2-4 ISSN 1389 1707.

2000

Windows with memories: Creative holography in the real world. This Side Up, No.,10, June 2000, pp15-18. ISSN 1389 1707.

Archiving a Creative History: Holography for a future generation. Holography 2000, St. Pölten, Austria.
SPIE proceedings, Volume 4149, pp 287-292,

1998

Holography - A Digital Community on the Internet. The Royal Photographic Society Holography Group.
One Day Conference on Holography and 3D Displays: New Materials and Techniques. London, UK.

1997

The National Holographic Centre England: Proposal report. 6th International Symposium on Display Holography, Lake Forest College, Lake Forest, USA, SPIE proceedings Volume 358.

Artists in Conference - An international perspective. 6th International Symposium on Display Holography, Lake Forest College, Lake Forest, USA (co-author with D.E. Tyler), SPIE proceedings Volume 3358.

 1996

Holography on the Internet: a useful resource or expensive distraction?, Practical Holography 10, San Jose, California, USA, SPIE proceedings, Volume 2652.

Seeing Things: Australian Holographic Art, Convergence, Journal of Research into New Media Technologies, John Libbey Media, Spring, Vol 2, No1, pp145 - 147.

1995

Holography as Large-Scale Event, Solart Global Network (Jürgen Claus editor), Leonardo, MIT Press, USA, Vol. 28, No. 3, pp 234.

Where is the Art?, Karas Tiny Magazine, Karas Studios, Madrid, Spain, December, pp3.

Top

1994

The art of collaboration: a conflict of disciplines or constructive relationship, 5th International Symposium on Display Holography, Lake Forest College, Lake Forest, USA,(co-author with Eric P. Krantz), SPIE proceedings, Vol 2333, pp 247 - 254.

Single exposure color mixing technique for rainbow "shadow" holograms, Practical olography 8, San Jose, California, USA (co-author with Eric P. Krantz), SPIE Proceedings.

Beyond the Gallery Ghetto. The Creative Holography Index, The International Catalogue for Holography, Monand Press, Bergisch Gladbach, Germany, Vol 2, issue 2.

1993

Cataloguing creative holography: an historical necessity or contemporary illusion?, Quebec International Symposium on Holography, Quebec, Canada, SPIE Proceeding.

A single beam recording system for creative holography and education, Quebec International Symposium on Holography, Quebec, Canada, SPIE Proceedings.

1992

Qué piensa usted, José Buitrago, ARCO catalogue ,Videoarco '92, Madrid, Spain.

1991

Creative Holography: Its Development in the Academy of Media Arts Cologne, Germany, International Symposium on Display Holography, July , Lake Forest, IL, USA, (Co-author with Dieter Jung), SPIE Proceedings Vol,1600.

1990

A Strength of Purpose: The International Congress on Art Holography, (re)Mark, September 1990, No 1.

Top 

1989

Holographica Pulls the Crowds, Holographics International, Spring 1989, No 5, pp 19-20.

Display Holography in the UK: An Overview, Holographie-Jahrbuch/Holography-Yearbook 1989-90, pp 1. 65-1. 69.

HoIographic Space: A Generalised Graphic Definition, Leonardo Journal, Holography as an Art Medium, Special issue. Vol 22, No 3 & 4, pp 295-298.

1988

Drawing in Space: A holographic system to simultaneously draw images on a flat surface and in three-dimensional space. PhD Thesis, Department of Fine Art, University of Reading, UK.

New Design For Holographic Camera, Holosphere, Fall, Vol 15, No 3, p 11.

School of Holography in LA., Holosphere, Fall, Vol 15, No 3, p 29.

Holography, Visual Medium or Cheap Trick? Art Monthly, December/January 1988/89, No 122, pp 9-13.

1987

Expansion of Holographic Film Products, Holosphere, Spring, Vol 15, No 1, pp 12-13.

1986

Holography: The History of the Word, Holosphere, Winter, Vol 14, No 1, p 11.

Hologrems Invade Britain, Holosphere, Spring, Vol 14, No 2, p 23.

Beyond Horror, Real Image, Royal Photographic Society Holography Group, Summer, No. 3, pp 9-10.

Holographic Illustration Becomes Reality, Holosphere, Fall, Vol 14, No 4, p 11.

1985

Holography in Publishing, Holosphere, Summer, Vol 13, No 3, p 6.

Holography: Treasures of the USSR, (Publication editor), Exhibition catalogue, Light Fantastic, July.

Top

1984

Storage Solutions for Orthodontics, Holosphere, Winter, Vol 12, No 6, p 45.

Design Council Highlights Embossing, Holosphere, Spring, Vol 12, No 7, pp 12-13.

German Museum Celebrates 5th Anniversary, Holosphere, Fall 1984/Winter 1985, Vol 13, No 1, pp 9-10.

Advanced Courses Begin in England, Holosphere, Fall 1984/Winter 1985, Vol 13, No 1, p 29.

Holography for Children, Holosphere, Spring, Vol 13, No 2, p 18.

Market Widens for Film Holograms, Holosphere, Spring, Vol 13, No 2, p 22.

Holographie in England: Der Aufstieg eines Künstlerischen Mediums, Licht-Blicke exhibition catalogue, Deutsches Filmmuseum,June.

Introduction, Canadian Holography Now, Exhibition catalogue, Canadian Cultural Centre, London, June.

1983

Light Impressions to Expand its Impact within London Subsidiary, Holosphere, January, Vol 12, No 1, p 4.

"Holographic" Telephones Tested in Britain, Holosphere, February, Vol 12, No 2, pp 3-6.

Holographic Album Cover Released in Britain, Holosphere, Spring, Vol 12, No 3, pp 1-2.

Display Holography: Making Inroads in Britain, Holosphere, Fall, Vol 12, No 5, pp 18-20.

Holographic Viewing Made Simple, Holosphere, Fall, Vol 12, No 5, pp 18-22.

1982

Edwina Orr Explores for Temporal Sculptural Works, Holosphere, January, Vol 11, No 1, pp 4-5.

Works in Flux by Sam Moree, Holosphere, February, Vol 11, No 2, pp 3-4.

Van Riper to Exhibit/Perform at Museum of Holography, Holosphere, February, Vol 11, No 2, pp 4-5.

Holograms of Rebecca Deem, Holosphere, March, Vol 11, No 3, p 4.Schweitzer Residency Shows AIR Woes, Holosphere, May, Vol 11, No 5, pp 5-7.

Margaret Benyon's Pulsed Rainbows, Holosphere, June, Vol 11, No 6, pp 4-6.

Ruben Nunes: Twentieth Century Renaissance Man, Holosphere, July/August, Vol 11, No 7,8, pp 6-8.

Doug Tyler's Art of Simplicity, Holosphere, September, Vol 11, No 9, pp 4-5.

Perceptions of Holography: A new medium using old tricks, Holosphere, October, Vol 11, No 10, pp 1-6.

Book Review - Space Light and Holography Handbook, New Scientist, October 21st, p 185.

Holographic Teaching Becomes Commonplace, Holosphere. November, Vol 11, No 11, pp 3-4.

Holography in Education, Holosphere, December, Vol 11, No 12, pp 2-3.

Can holograms open the way to new wave ads? Campaign, December 9th 1983, pp 35-37.

1981

Kinetic Light Art: Continuous 3-dimensional luminous images projected on rapidly rotating strings, Leonardo Journal of Contemporary Visual Artists, Summer, Vol 14, No 3, pp 208-209.

1980

Rudie Berkhout: Artist/Scientist, Holosphere, Journal of Holographic Science, Technology and Art, November, Vol 9, No 11, pp 3-4.

Bruce Goldberg and Wilfred's Window, Holosphere, December. Vol 9, No 12, p 6.

Hlynsky and Sowdon, Making Art on the Fringe, Holosphere, May, Vol10, No 5, pp 1-3.

AIR Profile: John Perry, University of Vermont, Holosphere, October, Vol 10, No 10, pp 3-4.

AIR Profile: Holograms and Stained Glass - Scott Nemtzow, Holosphere, November, Vol 10, No 11, p 5.

Walter Spierings and the Impossible Triangle, Holosphere, December, Vol 10, No 12, pp 2-3.

Top

1979

Kinetic art: 3-dimensional luminous images projected into volumes of smoke (Pentrojection).

Leonardo , Autumn, Vol 12, No 4, pp 283-289.

Title: Cut Column

Date: 2009

Edition: Edition 30 with 5 artist proofs.

Materials: 350gms/150lb medium cold press watercolour paper. 
Ph neutral, laser cut spaces.

Size: Of watercolour paper: 25.5 x 25.5 cm.
Frame size 50.5 x 50.5 x 4.5 cm (19 3/4 x 19 3/4 inches).

Production: Nottingham Trent University laser cutting studio, Nottingham

Notes: Three individual drawings laser cut through high quality watercolour paper.