Andy Pepper Administrator
Hi my name is Cong Keenan and I have been the Creative Director on Medunten Technology. The languages only differ in their grammar, their pronunciation and their most common words
Website URL: http://themesoul.com
Projected Light & Mark Making
Wednesday, 26 February 2014 Published in Workshops Be the first to comment!
As part of the fine art course at the University of Lincoln, UK, staff offer research based elective sessions for students.
These tend to reflect staff research interests and offer a series of practice-based seminars in which students and staff make, explore, experiment and investigate.
Andrew Pepper has delivered several electives within this model. The most recent covering 4 two hour sessions spread over 4 weeks.
Participants investigate practical and low-tech light projection using 35 mm and overhead projectors. Luminous marks are projected across the workshop spaces onto existing architecture, flexible and translucent screens, thread, fabric, mist and the participants themselves.
Wall sized projections using overhead projectors and translucent objects.
Images in space - marks captured and made visible in the workshop space.
All images © Electric Egg
Title: Light Support
Date: 1987
Edition: Unique
Materials: Reflection hologram on glass, industrial 'G' clamp.
Size: H14 x W10.5 cm (4 " x 5")
Notes: Produced for the Works for Shelves exhibition held at Kettles Yard Gallery, Cambridge, UK, in 1987.
The works highlights the unseen 'support' usually placed at the back of a photographic frame and used to keep the frame upright.
Here, this support is recorded holographically onto the glass plate it should be supporting.
This is a visual and theoretical 'support' with no physical validity or mechanical rigour. For the piece to 'stand upright' it needs some other mechanical support, in this case a metal 'G' clamp which is in clear view.
The holographic 'support' is only visible when light falls onto the glass plate on which it has been recorded. If the light is extinguished does the support stop supporting?
1987
Kettles Yard, Cambridge, UK.
Part of the University of Cambridge, Kettles Yard Gallery has been
Artists were invited to produce a small piece of work which would used a shelf as its starting point.
The variety of submissions was wide including paintings, sculpture and construction.
Andrew Pepper showed Light Support, a 5" x 4" reflection hologram plate made specially for the exhibition.
More details about Kettles Yard here.
Beyond the Surface - Works with Light
Sunday, 01 January 1989 Published in Solo Exhibitions Be the first to comment!
1989
Interference Gallery, Toronto, Canada.
A collection of wall-based holographic 'drawings', produced over the previous 3-4 years were included in this exhibition as well as works on glass and a site specific light projection.
Installation view with Plane Addition visible at the centre of the image.
8" x 10" reflection holograms with two 5" x 4" (slanted) holographic 'drawings'.
Series of reflection holograms produced between 1988/9
Site-specific corner installation using light from a 35 mm slide projector directed up through a transparent (black) construction to animate line removed from the surface.
The Interference Hologram Gallery was an important supporter of artists working with holography and mounted many solo and group exhibitions to showcase the developing research produced by artists.
Exhibition dates: 17th June - 29th July, 1989.
Title: Almost Nine
Date: 2008
Edition: Unique (no longer in existence)
Materials: White cartridge paper
Size: Of watercolour paper: 30 x 30 cm.
Notes: Produced specifically for the Drawing Wall, part of the Drawing Out exhibition in 2008 at the Bonington Gallery, Nottingham.
This became the precursor for two limited edition laser-cut works on paper: Cut Column and Nine Drawn Spaces