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Enough is Definitely Enough - Middlesbrough
Thursday, 05 November 2020 Published in Group Exhibitions Be the first to comment!Pineapple Black, Middlesbrough, UK
The third and final stage in this curated exhibition where 61 contemporary artists have made new artworks in response to a postcard version of Velázquez’s masterpiece, Las Meninas for an exhibition which launched at General Practice in Lincoln during 2019.
Enough is Definitely Enough - Middlesbrough
Thursday, 05 November 2020 Published in News Be the first to comment!Enough is Definitely Enough moves to its final venue in Middlesbrough during September and October.
This is the final outing for the exhibition which features work from now 61 artists who all respond to an adapted postcard of Velázquez’s masterpiece, Las Meninas, arguably the most widely interpreted of all paintings.
Organised and curated by Andrew Bracey the show can be seen at Pineapple Black in Middlesbrough.
Enough is Definitely Enough - Salford
Wednesday, 03 June 2020 Published in News Be the first to comment!Enough is Definitely Enough moves to Salford for an exhibition during March and April.
An adapted postcard of Velázquez’s masterpiece, Las Meninas has been produced for the exhibition Enough is Definitely Enough at Oceans Apart, UK.
The exhibition features a huge variety of different artistic responses, from over 50 contemporary artists, to the Spanish painter’s masterpiece - arguably the most widely interpreted of all paintings.
Enough is Definitely Enough - Salford
Wednesday, 03 June 2020 Published in Group Exhibitions Be the first to comment!Oceans Apart, Salford, UK
The second stage in this curated exhibition where over 53 contemporary artists have made new artworks in response to a postcard version of Velázquez’s masterpiece, Las Meninas for an exhibition at General Practice in Lincoln.
Centre Column-Blue was produced during 2017 in association with artist August Muth at The Light Foundry, Santa Fe, New Mexico, USA.
It offers a reworking of previous works using this three column construction of gestural lines.
In this example the central blue line protrudes from the surfce of the glass plate into the viewers' space. Moving from left to right causes this column of drawn marks to shift, overlap with the other drawn lines on the surface of the plate and, eventually shift out of view.
Dichromate gelatine on glass: H 63.5 x W 48 x D 2.5 cm.
This piece was first shown in Aura Kinetica, Currents New Media Arts Festival, El Museo Cultural de Santa Fe, New Mexico, USA, during 2017 and then in 2018 as part the The Unsupported Mark - Drawing with Holography exhibition held at Gallery 296, London.