Andy Pepper Administrator
Hi my name is Cong Keenan and I have been the Creative Director on Medunten Technology. The languages only differ in their grammar, their pronunciation and their most common words
Website URL: http://themesoul.com
Bringing together the work of several artists with differing practices Drawology aims to consider whether this premise is applicable to a specific process or genre of drawing or whether it is applicable to drawing generally.
In this respect the works in the exhibition represent an expanded field of contemporary drawing in a Fine Art context to include: works on paper, performance, moving image, installation, projections and three-dimensional drawings. The exhibition is part of a larger research project currently being undertaken by Deborah Harty entitled ‘Drawing is phenomenology’.
Andrew Pepper showed PA Redrawn-Line. Based on ealier floor work, it was made up of 20 small rectangular holograms of marks.
The video below, produced by the Bonington Gallery, highlights the exhibition opening. It can also be found in the Video Gallery.
Exhibition dates: 18th November - 6th December 2013
Title: Over Shadowed
Date: 1990
Edition: Unique
Materials: Reflection hologram on glass
Size: H 25.4 x W 20.32cm (10 x 8 inches)
Collection: Private collection, USA.
Title: MVF
Date: 1990
Edition: Edition of 5
Materials: Reflection hologram on glass
Size: H 25.4 x W 20.32cm (10 x 8 inches)
Collection: Lauk Collection, Germany, Private collections, Germany and UK.
Title: 11 Columns
Date: 1989
Edition: Unique
Materials: Reflection hologram on glass
Size: H 25.4 x W 20.32cm (10 x 8 inches)
Notes: One of a series of works exploring unsupported lines in space produced between 1989-1990.
Here, 4 opaque columns (shadows) protrude from the surface of the glass plate , 4 are located just behind the picture plane and 4 have been 'drawn' onto the surface of the hologram by scratching the photographic emulsion away.
Process - Light Projection & Shadow
Tuesday, 25 February 2014 Published in Workshops Be the first to comment!
As part of the delivery for first year students on Nottingham Trent University's fine art course a number of 'process' mini-workshops were offered early on in the year.
Students had not been at the university long and were still in a state of 'adjustment' to academic life and the independent study required by the course.
These workshops offered a rapid taster of possibilities which might be applied to current work or ideas. They aimed to act as a catalyst or point of departure.
Andrew Pepper offered a Light & Shadow workshop which was made up of 2 two hour practical seminars on a single day.
Session one explored the interception of projected light from 35mm slide projectors in a dark workshop space.
Session two moved out into the relative brightness of the fine art studios and examined the interference of light and marks produced by overhead projectors and object place on them.
